Mornings
I wake with a song in my head. The songs generally come from my youth, though I
never really connected with most music in the seventies: Even in the seventies,
I was a child of the sixties. Some mornings, I can guess why a particular song
has come to visit. Other mornings I have no idea. Michael Jackson’s “Beat It,”
for example, a song I neither like nor connect with, is a frequent visitor. The
songs I love are more poetic than “Just Beat It, Beat It. / Just Beat It, Beat
It. / Just Beat It, Beat It. / Just Beat It, Beat It.”
I
can’t remember a morning before this morning that I didn’t wake to the music in
my head. This morning, however, I woke to Emily Dickinson, whose words have
been in my mind lately, a companion as a plank in my mind seems to have broken,
leaving me dropping into new worlds.
Perhaps
there will be a truth for you in Emily’s experience as there is for me:
There's
a certain Slant of light, Winter Afternoons –
That
oppresses, like the Heft Of Cathedral Tunes –
Heavenly
Hurt, it gives us – We can find no scar,
But
internal difference, Where the Meanings, are –
None
may teach it – Any – 'Tis the Seal Despair –
An
imperial affliction Sent us of the Air –
When
it comes, the Landscape listens –
Shadows – hold
their breath –
When
it goes, 'tis like the Distance
On
the look of Death –
In
my class on death and dying Wednesday night, as I struggled with my emotions
after an intense activity on the experience of loss for the person dying, my
professor invited me to take care of myself as I needed to. I so appreciated
that invitation, and instead of watching most of the film on cancer, I wrote.
After class, my professor asked if I were writing a blog entry. I didn’t know.
Writing is my way of processing my emotions. By externalizing them, putting
words to them, I come to know myself better. At least that’s the theory. I
write for myself first, and I often (but not always) share my thinking—or at
least some of it—in my blog. There’s company there: though I can’t see who’s
reading, sometimes people who read it tell me that they’ve been reading in a
comment in the blog, a personal email, a conversation. In reading your
comments, my blogging community, I feel your support.
Generally,
I don’t know who’s reading my blog unless that person lets me know. I do see
numbers, so unless there’s some Oz playing a game behind the technology,
somewhere between one and two hundred of you check in each week. (I’m not sure
if that includes those of you who receive the entries on your email.
I
am always surprised and delighted, humbled even, when I learn that someone is
reading my blog and that the reading is staying with that person in some way.
This spring, I remember leaving The Egyptian Theatre in a crowd after seeing a
film about Alice Walker and even seeing Alice Walker (a shero), and as I
concentrated in order not to be trampled, a woman’s voice that I did not
recognize yelled out with a kind of glee: “Can’t duck it!” That’s the name of
my blog. I figured out who had done the yelling, a woman I knew but not well,
years ago, and I felt a kind of communion with her.
Another
woman that I didn’t know well years ago, a woman who also had a brain tumor,
emailed once to say that she reads the blog regularly, and through the reading
she had decided to try reconciling with her father, whom she had not
communicated with for decades. She explained the connection then, which I don’t
now remember, and I haven’t heard from her again in the year or so that has
passed, but her story reinforces my notion that in telling and sharing stories,
there builds a community of the spirit, and in that community there is healing.
Wordsworth
said that poetry is the spontaneous overflow of powerful emotions recollected
in a moment of tranquility. (At least
that’s how I remember it from my college days. When I do a Google search, there
are slight variations on this, but I like my recollected version best.) Whenn I
wrote this entry earlier this week, I was not yet ready for poetry: I was not
yet tranquil. I was still in the overflow of powerful emotions stage.
But
now I’ve come to a new peace, and I’m ready share with you. Thanks for your
generous patience.
This
first part I wrote in class during the film (though I’ve cleaned it up a
little):
Today
we did an activity about loss. We listed the things and people we care about,
each on a piece of paper: 3 people, 3 activities, 3 animals, 3 vacations, 3
material things we’ve always wanted. Then we heard a story of a cancer
diagnosis, and as we heard the story each of us lost one treasure at a time. Each
time, we crumpled the little piece of paper with the name of someone or
something we loved and threw it to the floor. My throat began to ache with my
own experiences of loss.
The
story was in some ways like my own: the doctor calls to talk; decisions need to
be made quickly; loss happens quickly and so do interventions; I have to decide
how to tell people—who and how. As my professor told this story of loss, I
remembered my own: I remembered standing in front of the mirror, practicing: How
do I tell people that I have a brain tumor? Is it “I have a brain
tumor’ or ‘I have a brain tumor”? Do I smile? Cry? I don’t know. I practiced
for a performance I would repeat.
My
first performance was a disaster. That first night, an acquaintance, barely an
acquaintance, called to find time to plan a theatre unit on immigration that we
had hoped to plan for her more privileged private school students and my less
privileged students, many of them refugees and immigrants to this country, some
with and some without documents. I said to her, “I’m sorry. This isn’t a good
time to plan this activity for me. I’ve just learned that I have a brain
tumor.” She stumbled and rushed to get off the phone. I needed to get better at
this performance.
I
became a little lost in my memories of loss. At the end of the activity in
class, with the names of two people I care about left on the pink squares of
paper in front of me, my professor who introduced herself as Death knelt in front
of me and took my last two people. I’m generally pretty upbeat, but at this I
felt anger surge. I did not see this as Death taking away my last two people. I
saw this as a professor who cared about me taking them from me. I thought,
“Don’t you know that I’ve been through enough loss?” I was angry at someone who
has become important to me.
At
the end of the activity, my professor said, “I am not death. I am your
professor. This has not been real, but this is the experience of a person who
is dying. While mourners grieve the loss of someone they love, the dying person
loses everything and everyone. We cannot see whom death will choose. Death is
random.”
I
went into my mind, where I am safely protected from my emotions. I thought,
“No, it isn’t. Death isn’t random. Everyone dies. Only the timing is random.
And even that isn’t totally random. If nothing else, age will take me
eventually.” I wanted to argue. And I said to myself, as I do so often, “Death
is part of life. I want my death to be as full of living as it can be, like I
want my life to be. After all, there’s dying in life. I know that, too.”
So
much thinking. I’m a thinker. Feeling is seldom the first thing I notice, and that
night I finally noticed what I was feeling. My chest was tight. My hand tremors
did a disco. My stomach felt heavy and sick. My throat ached with a tightness
I’ve felt before. I wanted to rest my hand on my chest, the warmth that I
learned in Reiki and during my divorce for calming me. I breathed into my
diaphragm. That’s all I knew to do: breathe deep into my body and rest my hand
on my chest. And pray. “Lord, help me in this moment. Just help me. Please.”
Our
class took a break, and I went to the bathroom and to the water fountain. I didn’t
really need to go to these places, but I need a break that took me out of that
room. My professor stopped me in the hall, and I was glad for her presence…. After
going to the bathroom, I headed into the hall and then went back into the
bathroom. No one else was in there. There was a mirror on the wall. Though I
have at all times avoided looking directly into a mirror since my surgery, I
looked directly at myself. My right eye looked forward. My left eye, like always,
was in the inner corner of my eye. It’s hard to look at myself this way, both
because this eye shouts my losses at me and because I see double, and it’s hard
to see two of me in this kind of pain. I looked for a long moment, and then I
nodded and left. As I opened the door, I breathed deeply again.
After
this intense activity, our class watched a
film on cancer, and needing to be part of the community, I tried to
watch, but I just couldn’t. I said to the spirit that stays with me, “Help me
now. How do I take care of myself? How do I live with this? I feel so tired. I
haven’t watched a minute of the film the class is watching. I really don’t know
what to do with myself. What am I doing here? I am learning about death, which
is learning about life. Which makes it sound easier than it is.”
I
typed as the film played, and I lost the film as I sought to steady myself. I
continued to write as I tried to re-enter the film:
I’m
a thinker who’s feeling, and I feel sick. I returned momentarily to the film. Interesting
choice of words: not Larry had cancer, but Larry’s body had cancer. And
then the film was over and the lights were back on. A good number of people had
left. I saw their darkness against the dark as they quietly hoisted their
backpacks and slipped silently, like ghosts, out the door.This was an intense
night for many of us.
There
was not much time for reflection: there was so much to do. Our professor, who
does not hurry, hurried us through assignments. She told us that the Advance
Care Directive is due on the last day of class. She told us to look on the website
for info about our field trip to a funeral home next week. She told us our
journal entry is due next week, and then in a response to protests remembered
that we would be doing this in class. We had only a few minutes for closing, so
we should be concise.
Finally,
she ended the night with a graceful prayer. Its close stays with me: “May you
be filled with lovingkindness.”
At
the end of class, we filed out silently. It felt like the air had been sucked
from the room. As I left, she shared again the Buddhist prayer with which she had
closed class. I wish I could remember it.
Outside,
it was raining lightly, and I grimaced a little. Tonight, I was in no mood for
the bus, which is usually such a joyous place for me. I didn’t want the light
and the noise. I wanted to sink into a comforter, into a darkness and a sleep
and to rest with my emotions, to let them heal.
Fortunately,
the moment I arrived at the bus stop, a long line was just getting on the #48,
one of my buses home. As I boarded, the driver, a portly African American man
with a greying beard, said, “Good evening,” in a deep voice like James Earl
Jones’ voice.
I
sat close to the front of the bus, where I always sit, in a seat prioritized
for people with disabilities. Across from me sat a plump woman in a Mack truck
of a wheelchair, her long grey braid making her look older than her pinkish
apple cheeks. The bus was full of the sounds of university students, health
care workers going home, and a variety of accents from all around the world
heading to our homes and hipper somebodies just heading out for the night. A
couple of seats back, two men talked in the accents of men who have moved here
recently from Africa. I heard one say, “I was a long time in Kenya,” and I
looked to see who sat with him, a man perhaps in his forties with the quiet
demeanor and light brown skin of an Ethiopian.
I
love the life on the bus. The mother in the wheelchair asked her twelve year-old
son, who was playing with glowing blue pieces of plastic beside me, what he had
done today. He shrugged and said, “Somethin’.” She didn’t seem bothered by the
response and said, “Well, I guess that’s better than nothin’.” I laughed and
she seemed to appreciate the adult camaraderie. She went back to her phone and
he to his glowing plastic.
A
cheerful someone sat beside me, said, “Hi, Mary! I didn’t know you took the
bus!” It was Stephanie, from my Tuesday night class, and her friendliness, the
jingle of her hello, felt like a kiss on the cheek. “This is my stop! I’m going
straight to bed!”
Stephanie
bounced off the bus, and for a moment, the bus settled back into its usual
anonymous murmur, but then the bus pulled over to pick up three friends at a
bus stop: one appeared to be a man with a full beard who was cross-dressing:
his blond wig was long and so wild that it looked like a child’s abused Barbie
doll’s hair. A second friend seemed to be a woman in the severe blacks and
whites of the gothic style. Her hair was straight and coiffed and an unnatural
red, a foil to her friend’s wild blond wig. The third friend wore a flannel
shirt and a duck hunting cap so that, if we were in Montana or Eastern
Washington, I would have thought he were going hunting. After a couple of
stops, the three rose from their seats, the man with the blond wig in front, and
I noticed his shiny gold high high heals. The driver hit the brakes a little
hard, and the man in his high high heels scooted forward in fast little steps,
laughing a deep guffaw as he caught himself.
A
few stops later, and it was my turn to go. The driver bid me a deep good night,
and I stepped into the dark. As I crossed the street to the parking lot where
Ann would meet me, she greeted me from under her purple sweatshirt hood and
walked me to our car. “How was the class?” she asked. “Intense,” I said, “but
I’m not ready to talk about it. I want to tell you about the life on the bus.”
And
so I did. And I came home, and I wrote about it. I looked up my professor’s
lovingkindness prayer, but I found a Tibetan one instead, one that eases me,
too:
May
you be filled with loving kindness.
May
you be well.
May
you be peaceful and at ease.
May
you be happy.
Somehow
my life has to be about life, even when it’s about dying while living. Even in
the pain, there must be the joy, the laughter, the ease.
The
queasiness passed, and I was able to rest, Ann beside me, holding my hand.
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