Tuesday
afternoon, sleeping on my giant doggie bed in front of a winter fire, I was
awakened by a firm knock. I thought of Edgar Allan Poe’s “The Raven” :
While I nodded,
nearly napping, suddenly there came a tapping.
As of
some one gently rapping, rapping at my chamber door.
It was not the gentle rap of ravens, but the kind of
delivery people give, so I started to ignore it, but I thought I should check
just in case. When I opened the door a crack, my puppy Dosey and I could see
that someone was there, so I said, “Hang on,” closed the door, gathered Dosey
into my arms, and re-opened the door, wide enough to see the person this time.
A forty year-old woman with red hair and a big smile said,
“Hi, Ms. Edwards.” At first I didn’t recognized her but then saw in her eyes a
teenager from twenty years ago.
“Oh, my gosh! Come in!”
We sat in the living room, and she and I shared some stories
to bridge the decades. Then she gave me the book The Ironic Shituation: the actuality of Everything, a book she
published in 2016, and I leafed through it. For some reason, I paused at the
Gratitude & Appreciation page. I read this:
My high school English teacher Ms. Mary Edwards—I appreciate
the way you challenged my intellect. Thank you for the freedom to find and
express my own voice in your assignments. I felt my mind come alive in your
classes.
I was stunned. This appreciation from so long ago, an
appreciation I did not at all expect, means so much to me. In these post-tumor
days when I can no longer teach, this note reminds of how much my students
meant—still mean—to me. It makes me feel that, though I didn’t have the impact
on public education that I aimed to have, my teaching made a difference to some
students in ways that I would never have guessed.
Thursday night, my partner Ann and I had dinner with another
of my previous students, this one a freshman in my English class in Dallas in
1990. He was in Seattle from New York City to defend his PhD dissertation in
Psychology at The University of Washington.
Ann and I got together with him and his partner when they
lived in Seattle, so Thursday’s meeting was not a surprise. Seeing him again
for the first time a few years ago, however, was a surprise. Each time I see
him I appreciate the unexpected connection. Once, he told me about a time in
class when I invited students to share a thesis if they had one for an upcoming
paper and to share any ideas which they had decided not to write about. They
could steal someone else’s discarded idea if they wanted to. He did.
What I remember about that time is the sense that I had no
idea what I was doing: “imposter syndrome,” this student, now a man, told me. I
was glad to hear that in those early days I did something that seems to me now
like good teaching.
From these visits, and from the cards, Facebook posts, and
emails, I feel like some of my previous students tell me that I was a guide in
the way I wanted to be: perhaps I helped them find their voices and a
possibility that they were okay—not only okay, but miraculous—as they were and
would be okay —even miraculous—in the future, even if they would be different
than they or their parents had imagined.
Now that I can no longer teach, these students—now
adults—tell me that I was okay—even miraculous—in my teaching days, and perhaps
I’m learning from them that I am still okay—even miraculous.
My life has shifted with all that I cannot do, though I
realize my life would have shifted anyway (because lives do that). I am lucky
to find things that I can do, perhaps things that I couldn’t have done before.
Last Friday, with the poet Roberto Ascalon, I facilitated a reading (mostly poetry and one very short short story) by
seven people experiencing memory loss, and a wife and a daughter of people with
memory loss.
The reading was lovely, peppered with poets’ statements
of belonging like “I’m still here” and “I
am. I am a work in progress. NOW.” And one poet’s doleful questions:
*Who will hold me tight?
Who will whisper “I love you”?
Indeed, who even will remember me?
The poet Holly J. Hughes read her
gentle poem “The Bath” from the anthology she edited, Beyond Forgetting: Poetryand Prose about Alzheimer’s Disease (Kent State University Press, 2009).
Then on Thursday morning, a writer in a group with young
people who are homeless beamed with the news that he would be starting college
in January. He told the group, “When I experience something painful, I can
write it down and put it to the side” (he accompanied this explanation with the
visual act of moving papers from in front of him down the table). “That way,
it’s still some place, but it’s not in me any more.”
No, I wouldn’t have asked for these brain tumors or these
disabilities, and I wouldn’t have left the field of education if I’d had a
choice. But today I’m feeling that my time there was meaningful, though it’s
gone. I live a new meaningful life now, one built on days past—days that are no
longer possible for me—but also an awareness that now I live in new
possibilities.
*DEPARTING PORT
By Philip Culbertson
Slowly,
I’d begun to notice the great ship―
built
so rigorously, moored so carefully―
drift
slowly, slowly, out into the open sea.
I had
hoped that was an illusion, for
I had
been concussed and was no longer sure what was true.
I had
hoped for better.
Freud
assured me that my ways of thinking would continue to be stable,
but my
brain responded:
“You think you
can ignore me, but I know better. You are a jokester.”
I
thought a jokester was like a jester—a wag, a wit, a harlequin, but
rather
than laughing, I suddenly found myself weeping, day after day,
asking
“Why? Why me? Why now?”
“I’m
not yet done with living,” say I,
yet my
body screams “You’re done!!!”
Can
this truly be the end?
I’m
not quite through living, even when my time is short.
Who
will hold me tight?
Who
will whisper “I love you”?
Indeed,
who will even remember me?
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